Selected Bibliography

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Major Monographs:

Abbott, Brett. Wynn Bullock: Revelations. With contributions by Barbara Bullock-Wilson and Maria Kelly. Atlanta: High Museum of Art in association with University of Texas Press, 2014.

Bullock, Barbara, and Wynn Bullock. Wynn Bullock. San Francisco: Scrimshaw, 1971.

Bullock, Wynn. The Photograph as Symbol. Mountain View, California: Artichoke Press, 1976.

___. Wynn Bullock. With an essay by David Fuess. Masters of Photography 4. New York: Aperture, 1976.

___. Wynn Bullock: The Enchanted Landscape, Photographs 1940-1975. With essay by Raphael Shevelev and poem by Ursula Le Guin. New York: Aperture, 1993.

Bullock-Wilson, Barbara. Wynn Bullock: Photography, a Way of Life. New York: Morgan & Morgan, 1973.

Bullock-Wilson, Barbara. Wynn Bullock, Photographing the Nude: The Beginnings of a Quest for Meaning. Edited by Edna Bullock. Salt Lake City: Peregrine Smith, 1984.

Bullock-Wilson, Barbara, ed. Wynn Bullock: Color Light Abstractions. Carmel, California: Bullock Family Photography LLC, 2010.

Johnson, Chris, and Barbara Bullock-Wilson. Wynn Bullock. 55 series. London: Phaidon Press, 2001.

Mack, Richard, and Wynn Bullock. The Widening Stream. Monterey, California: Peregrine, 1965.

Other Monographic Works:

Bullock, Wynn. Enchanted by the Mystery of Light. Edited by Barbara Bullock-Wilson and Yuko Yamaji. Exhibition catalog. Yamanashi, Japan: Kiyosato Museum of Photographic Arts, 1999.

___. Wynn Bullock: Listening with the Eyes; Seeing with the Heart. Edited by James Rheim. Exhibition catalog. Chicago: Stephen Daiter Gallery, 2002.

___. Wynn Bullock: Photographs. Edited by Barbara Bullock-Wilson and John Humphrey. Exhibition catalog. San Francisco: San Francisco Museum of Art, 1969.

___. Wynn Bullock: Realities and Metaphors. Edited by Keith Davis. Exhibition catalog. New York: Laurence Miller Gallery, 2001.

___. Wynn Bullock: Twenty Color Photographs - Light Abstractions. Edited by Don Beatty. Exhibition catalog. Santa Clara, California: de Saisset Art Gallery and Museum, 1972.

Bullock, Wynn, and Edna Bullock. The Concepts and Principles of Wynn Bullock. Adapted from a slide lecture. Chicago: Gilbert Gallery, 1979.

Center for Creative Photography. Wynne Bullock: American Lyric Tenor. Research Series no. 2. Tucson: Center for Creative Photography, 1976.

Dilley, Clyde H. The Photography and Philosophy of Wynn Bullock. Doctoral dissertation. Philadelphia: Art Alliance Press, 1984.

Lamb, Charles, and Cynthia Ludlow. Wynn Bullock Archive. Guide Series no. 6. Tucson: Center for Creative Photography, 1982.

Ley, Gaston, ed., and Wynn Bullock, photographer. Monterey's Adobe Heritage. Monterey Savings and Loan Association, 1965.

Related Publications:

Adams, Ansel, and Nancy Newhall. This is the American Earth. San Francisco: Sierra Club, 1960.

Auer, Michele, and Michel Auer. Photographers' Encyclopaedia International, 1893 to the Present. CD-ROM. Hermance, Switzerland: Editions Camera Obscura, 1985.

Auer, Michele, and Michel Auer. Photographers' Encyclopaedia International, 1839 to the Present. CD-ROM. Neuchâtel, Switzerland: Ides et Calendes, 1997.

Beaton, Cecil, and Gail Buckland. The Magic Image: The Genius of Photography from 1839 to the Present Day. Boston: Little, Brown, 1975.

Brower, David, ed. Not Man Apart. San Francisco: Sierra Club, 1969.

Bunnell, Peter, ed. Aperture Magazine Anthology: The Minor White Years, 1954-1976. New York, 2012.

Chuang, Joshua, ed. First Doubt: Optical Confusion in Modern Photography. New Haven, Connecticut: Yale University Press, 2008.

Discovery: Inner and Outer Worlds; Portfolio II. Introduction by Wynn Bullock. Carmel, California: Friends of Photography, 1970.

Enyeart, James, ed. Decade by Decade: Twentieth-Century American Photography from the Collection of the Center for Creative Photography. Boston: Bulfinch, 1989.

Gross, Philippe L. and S. I. Shapiro. The Tao of Photography: Seeing beyond Seeing. Berkeley, California: Ten Speed Press, 2001.

Haas, Karen, and Lyle Rexer. An Enduring Vision: Photographs from the Lane Collection. Boston: Museum of Fine Arts, 2011.

Hellman, Karen, and Brett Abbott. Landscape in Photographs. Los Angeles: J. Paul Getty Museum, 2012.

Hill, Paul, and Thomas Cooper, eds. Dialogue with Photography. New York: Farrar, Straus, and Giroux, 1979.

Holleley, Douglas. Your Assignment: Photography. Rochester, New York: Clarellen, 2009.

Huntsman, Don, ed. A Tribute to a Dear Friend, Wynn Bullock. Anaheim, California, Lodestar, 1977.

Johnson, Brooks, Photography Speaks: Sixty-Six Photographers on Their Art. New York: Aperture and the Chrysler Museum, 1989.

Johnson, Chris. Contemporary Photographers. 3rd ed. Detroit: Gale Research International, 1995.

Lai, Beatrice, and Su-Yun Huang, eds. Chinese Influence on the American West Coast Contemporary Art. Exhibition catalog. Taichung, Taiwan: Taiwan Museum of Art, 1988.

Leavitt, Thomas, W., ed. The Photograph as Poetry. Exhibition catalog. Pasadena, California: Pasadena Art Museum, 1960.

Lewinski, Jorge. The Naked and the Nude. New York: Harmony, 1987.

Lewis, Eleanor, ed. Darkroom. New York: Lustrum Press, 1977.

Lyons, Nathan, ed. Photographers on Photography: A Critical Anthology. Englewood Cliffs, New Jersey: Prentice-Hall, 1966.

Lyons, Nathan, George Eastman House, and National Gallery of Canada. Photography in the Twentieth Century. New York: Horizon Press with George Eastman House, 1967.

Maggia, Filippo, ed. Twentieth-Century American Photography: Flags of America. Exhibition catalog. Milan: Skira Editore for Fondazione Fotografia, 2013.

Markowski, Gene. The Art of Tomorrow: Image and Illusion. Englewood Cliffs, New Jersey: Prentice-Hall, 1984.

Museum of Contemporary Art Jacksonville. Shared Vision: The Sondra Gilman and Celso Gonzales-Falla Collection of Photography. Exhibition catalog. Jacksonville, Florida: Museum of Contemporary Art, 2011.

Naggar, Carole. Dictionnaire des Photographes. Paris: Seuil, 1982.

National Museum of Modern Art, Kyoto. American Photographers. Kyoto: National Museum of Modern Art, 1989.

Persistence of Beauty: Portfolio I. Introduction by Nancy Newhall. Carmel, California: Friends of Photography, 1969.

Peterson, Christian A. The Poetics of Vision: Photographs from the Collection of Henry M. Drake. Exhibition catalog. Minneapolis: Minneapolis Institute of Arts, 1997.

Richter, Peter-Cornell. Nudes in Photography. Munich: Prestel-Verlag, 1999.

Rohrbach, John and Sylvie Penichon. Color! American Photography Transformed. Amon Carter Museum of American Art in association with University of Texas Press, 2013.

Romeike, Carla. Multiple Images: A Portfolio by Carla Romeike. Text by Wynn Bullock. 1968.

Rosenblum, Naomi. A World History of Photography. New York: Abbeville Press, 1984.

Salvesen, Britt, ed. See the Light: Photography, Perception, Cognition. Exhibition catalog. Los Angeles: Los Angeles County Museum of art in association with DelMonico Books/ Prestel, 2013.

Sander, Gloria Williams, ed. The Collectible Moment: Catalogue of Photographs in the Norton Simon Museum. New Haven, Connecticut: Yale University Press, 2006.

Sandweiss, Martha A. Masterworks of American Photography. Exhibition catalog. Fort Worth: Amon Carter Museum of American Art, 1982.

Steichen, Edward. The Family of Man. New York: Museum of Modern Art, 1955.

Soblieszek, Robert A. Masterpieces of Photography from the George Eastman House. Rochester, New York: George Eastman House, 1958.

Szarkowski, John, ed. American Landscapes. New York: Museum of Modern Art, 1981.

Time-Life. The Art. Life Library of Photography. New York: Time-Life Books. 1971.

___. The Camera. Life Library of Photography. New York: Tie-Life Books, 1970.

___. The Great Themes. Life Library of Photography. New York: Time-Life Books, 1972.

Uelsmann, Jerry. The Mind's Eye: Photographs by Jerry Uelsmann. Edited by Phillip Prodger. Exhibition catalog. San Francisco: Modernbook Editions, 2010.

Upton, John. Color as Form: A History of Color Photography. Rochester, New York: George Eastman House, 1982.

Webb, William. Henry and Friends: The California Years, 1946-1977. Santa Barbara, California: Capra Press, 1991.

Westerbeck, Colin, ed. Seismic Shift: Lewis Baltz, Joe Deal, and California Landscape Photography, 1944-1984. Exhibition catalog. Riverside: University of California, Riverside, 2011.

Weston, Brett. Japan Portfolio by Brett Weston. Introduction by Wynn Bullock. 1970.

Weston, Edward. Edward Weston Portfolio. Introduction by Wynn Bullock. Photographs printed by Cole Weston. New York: Witkin-Berley, 1971.

White, Emil, ed. Big Sur: Highway One from Monterey to Morro Bay. Big Sur, California: Emil White, 1954.

___. Henry Miller: Between Heaven and Hell. Big Sur, California: Emil White, 1961.

Wise, Kelly, ed. The Photographer's Choice: A Book of Portfolios and Critical Opinion. Rochester, New York: Addison, 1975.

Witkin, Lee D., and Barbara London. The Photograph Collector's Guide. Boston: Little, Brown, 1979.

Zakia, Richard D. Perceptual Quotes for Photographers. Rochester, New York: Light Impressions, 1980.

Zakia, Richard D. and David A. Page. Photographic Composition: A Visual Guide. Burlington, Massachusetts: Focal Press, 2011.

Articles:

Baker, George. "Wynn Bullock and the Camera Eye". Argonaut Monthly, June 1958, 7-10.

Badger, Gerry. "Wynn Bullock". Photographic Journal 115, no. 5 (May 1975), 206-213.

Beernink, Margaret. "Muses Sight & Sound: Photographer-Musicians; Bullock, Caponigro, Cramer, Gagliani, Mazzeo, Worth". View Camera, March-April 1995, 4-12.

Bender, Rudy. "Heroes". Darkroom Photography, January-February 1985, 58-61.

Booth, Weston. "Photographic Horizon". U.S. Camera, August 1946, 18-19, 55.

Bullock, Barbara. "Wynn Bullock: Tracing Man's Roots in Nature". Modern Photography, May 1970, 84-89, 118, 120.

Bullock, Edna. "A Gathering of Friends: An Interview with Edna Bullock". Interview by Donna Conrad. Camera and Darkroom, February 1993, 38-45.

Bullock, Percy Wynn. "Line Photography". Medical and Biological Illustration, April 1957, 75-81.

___. "Partial Reversal Line Photography". Medical and Biological Illustration, October 1957, 210-216.

Bullock, Wynn. "Camera Interview: Wynn Bullock, Part 1". Interview by Paul Hill and Tom Cooper. Camera, February 1976, 38-48.

___. "Camera Interview: Wynn Bullock, Part 2". Interview by Paul Hill and Tom Cooper, Camera, March 1976, 37-42.

___. "The Fourth Dimension". Photography Magazine, September 1962, 42-49.

___. "A New Concept in Photography". Carmel Pacific Spectator-Journal, January 1958, 71-78.

___. "Partial Reversal Line". Photographic Journal, April 1855, 67-69.

___. "Time & Space". Way, July-August 1975, 2-6.

___. "Time's Vital Relationship to Photography". Contemporary Photographer, May-June 1960, 6-9.

___. Untitled article. Creative Photography 1956 - The University of Kentucky Art Bulletin, January 1956, 10-11.

___. Untitled article. Pacific Discovery, May-June 1963, 16-17.

___. Untitled article. Three Photographers. Kalamazoo Art Center Bulletin. Exhibition catalog. February 1961, 5-8

___. Untitled article. Untitled 5: Quarterly of the Friends of Photography (1973), 16-20.

___. "Virtues of Large and Small Cameras Are Evaluated". Monterey Peninsula Herald, November 3, 1956.

Bullock, Wynn, and Eric Barker. "A Lyrical Journey to Big Sur". Carmel Pacific Spectator- Journal, September-October 1954.

Bullock, Wynn, and George F. Pollock. "A Retrospective View". Creative Camera, June 1971, 190-203.

___. "Wynn Bullock Nudes". Creative Camera, June 1969, 206-207.

Bullock, Wynne. "Portfolio". Aperture, October 1953, 20-29.

Bullock-Wilson, Barbara. "Searching: The Pictures and Words of Wynn Bullock". Darkroom Photography, May-June 1985, 38-44.

___. "Wynn Bullock and Point Lobos: A Loving Tribute to Man and Place". Photographic Journal, October 1992, 386-390.

___. "Wynn Bullock and the Magic of Point Lobos". Special Issue. Alta Vista - The Sunday Herald Magazine, Monterey County Herald, November 18, 1990, 6-17.

Bush, George. "The Nude in Nature". International Photo Technik 2 (1963), 113-115.

___. "Thoughts on Wynn Bullock: The Landscape - An Object of Philosophy". International Photo Technik 1 (1961), 40-43.

Claass, Arnaud.  "Photographie, temps variable".  Infra-mince, revue de photographie, Cahiers de l’Ecole nationale superieure de la photographie, November 2013, 46-49.

Coke, Van Deren. "Creative Photography 1956". Aperture, January 1956, 12.

Coleman, A. D. "A Form of Joy: The Photographs of Wynn Bullock". Photo Technique Magazine, January-February 2011, 15-19.

___. "Wynn Bullock Monograph". Village Voice, July 29, 1971.

Gautrand, Jean-Claude. "The Philosophical Inquiry of Wynn Bullock". Photo Ciné Revue, February 1973. Typescript in CCP/WBA, AG 10:5/66.

___. "Wynn Bullock". Le Nouveau Cinema, February 1976.

Helprin, Ben, ed. "Light: David Holman, Ruth Bernhard, Jerry Burchfield, Wynn Bullock". Photo-Image 1 (1976), 32-43.

Herz, Nat. "Wynn Bullock: A Critical Appreciation". Infinity, November 1961, 4-10.

Kemp, Wolfgang, and Joyce Rheuban. "Images of Decay: Photography in the Picturesque Tradition". October, Autumn 1990, 117-118, 132.

Jackson, Ruth. "The Magic Eye of Wynn Bullock". American West, October 1989, 42-47, 78.

___. "Wynn Bullock: More than Technique". Camera 35, January-February 172, 42-48.

Jensen, Brooks. "Rare and Unknown Bullock". LensWork Quarterly, October-November 2004, 7-31.

___. "A Tribute to Wynn Bullock". LensWork Quarterly, Fall 1994, 53-81.

___. "Wynn Bullock Portfolio: LensWork Special Edition Prints Collection". LensWork Quarterly, February-April 1999, 9-21.

Lyons, Nathan. "The Sense of Abstraction in Contemporary Photography". Aperture, April 1960, 111.

Millard, Charles W. "Adams, Weston, Bullock". Hudson Review 26, no. 2 (1973), 353-358.

Miller, Henry. "Wynn Bullock…Photographer". Publication unknown, c. 1950s. Clipping in collection of Bullock Family Photography LLC.

Murray, Joan. "The Metaphorical Nudes of Wynn Bullock". Artweek, February 1982.

___. "Wynn Bullock: A Gift of Love". Artweek, December 1974.

___. "Wynn Bullock, 1902-1975". Artweek, November 1975.

___. "Wynn Bullock: Photography, A Way of Life". Artweek, January 1974.

___. "Wynn Bullock: Visionary and Philosopher". Artweek, October 1981.

Osman, Colin. "Wynn Bullock: A Retrospective View". Creative Camera, June 1971, 190-203.

Parella, Lew. "Wynn Bullock". Creative Camera, no. 87 (1968), 92-108.

___. "Wynn Bullock". U.S. Camera Annual, 1956, 223, 232-237.

Pitnick, Richard. "Wynn Bullock: Color Light Abstractions - A New, Groundbreaking Exhibition". Color Magazine, September 2010, 6.

Pollock, George F. "The Art of Photography". Amateur Photographer, August 1966. Copy in CCP/WBA, AG 10:5/61.

Porter, Allan. "Wynn Bullock". Camera, January 1972, 24-33.

Powell, Lawrence Clark. "To Visit Monterey". Westways, January 1976, 23-26.

Read, Herbert. "The Sense of Abstraction". Contemporary Photographer, July-August 1960, 42-45.

Shevelev, Raphael. "Closing the Circle". Photographic Journal, December 1992-January 1993, 514-515.

Sinsheimer, Karen. "Remembering Wynn Bullock". Photovision Art and Technique, May-June 2002, 18-25.

Uelsmann, Jerry. "Wynn Bullock: Tracing Man's Roots in Nature". Modern Photography, May 1970, 89.

Weber, Al. "Tribute to Wynn Bullock: The Century Birthday Celebration". Photo Techniques, September-October 2002, 29-33.

White, Minor. "A Collection of Photographs". Aperture, Fall 1969.

Williams, Jonathan. "The Eyes of Three Phantasists: Laughlin, Sommer, Bullock". Aperture, October 1961, 96-123.

___. "Wynn Bullock: A Tribute". Aperture, no. 77 (1976), 34-39.

PORTFOLIOS:

Wynn Bullock Photographs 1951-1973, 1973. 12 mounted prints with Introduction by Ansel Adams, produced in edition of 25 plus 6 artist's proofs. Completely sold out.

Color Light Abstraction Portfolios. Very limited series (exact number unknown), each with varied selection of images. No sales records found; most likely most were gifted or donated.

PATENTS:

Photographic Process for Producing Line Image. U.S. Patent 2,438,494, issued in 1948; UK Patent 669-633 in 1952; Canadian Letters Patent 501,548 in 1954.

Method for Matching Opposing Densities in Photographic Film. U.S. Patent 2,799,581, issued in 1957.

FILMS:

Roots of California Photography: The Monterey Legacy, produced by Mac and Ava Motion Pictures and the Monterey Museum of Art, 2002.

Wynn Bullock: Photographer, produced by Thom Tyson, 1976.

Two Photographers - Wynn Bullock and Imogen Cunningham, produced by Fred Padula, 1966.
 



 


 


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